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Archive for the ‘Live Performance’ Category

The Cat Empire Live in NYC

Posted by Mark On December - 7 - 2009 ADD COMMENTS

Saturday night I had the privilege of seeing The Cat Empire live at the Nokia Theater in Times Square.  What a show it was, combined with the opening act, The Prigs, it may have been the all around best show I’ve ever seen.  It was just a straight up party.

The Prigs

Let me first talk about the Prigs.  I’m used to going to shows to see the headliner and more often than not the opening acts are disappointing and I try to wait patiently for them to get off the stage.  That was not the case with the Prigs.  These guys marched out on stage wearing their flashy suits and sunglasses and got the crowd moving right off the bat.  With their uplifting songs, gold glitter, searing Key-tar solos, and air-horn/firework sound effects after each song they we’re the perfect fit for a “Cat-Empire-opener.”  After their 45 minute set and their “Life Ain’t So Bad At All” banner I was in a great mood and really pumped for The Cat Empire.  “PRIGS!”

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I am not exaggerating when I say that The Cat Empire has put on one of the best shows I’ve ever seen.  I was in complete awe for the entire duration of their 2 hour set.  They are all brilliant musicians, they all know their instruments so well that they could jam on anything for hours.  Every song had me going “My god, that was the best thing I’ve ever heard!”  They played a solid set with the highlights being “The Darkness,” “In My Pocket,” “Hello,” and “The Chariot.”  They also played a new song of which I got a 1-minute clip of…


I apologize for the poor quality, it was taken with a point-and-shoot, but you can make out most of it and it sounds very similar to their last album.  The set ranged from songs like that, where the crowd was just kind of “vibing,” to songs like The Chariot that brought a lot of energy and had the whole crowd jumping in the air.  Between the 10 minute jams during bridges to drum-solos and scratching solos The Cat Empire is an incredible live experience.  Should you see them next time they’re around?  Absolutely.

The State Rarities

Posted by Mark On October - 3 - 2009 ADD COMMENTS

This passed Thursday I had the opportunity to go to the Bell House in Brooklyn for a charity event hosted by the guys of Stella.  In case you don’t know that’s Michael Showalter, David Wain, and Michael Ian Black, look, I even got a picture.

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It was a fun time, I had never actually watched The State when it was on MTV so it was a nice treat to see some of the skits on the projection screen with some live commentary.  They showed their CBS Halloween special, which apparently like six people watched when it aired.  They also played clips from a record they had produced after the show had failed in nearly every way possible.  Showalter said that Warner Bros. had given them $125,000 to produce the record and they decided that it would be a kick-ass idea to go down to the Bahamas and have the record professionally produced at the same place Bob Marley had produced some of his records.  Apparently the comedy troupe with their average age of about 25 years partied and drank all day and went into the studio at night, plastered.  As you could imagine the tracks are nearly incoherent, sloppy, and obnoxious.  Needless to say, however, they are also absolutely hilarious.  According to Michael Black the record was delivered to Warner Bros. and “then we never heard anything, not a yes or a no, just nothing.”  When asked if there was ever talk about releasing the record to the public David Wain responded, “Yes” which I think means, “Yes, we talked about it, but no, it will never be released.”

I have to admit, the audience was pretty shitty, mostly drunken hipster assholes.  People were constantly shouting out skits that they wanted to see, the only problem was all the ones people were shouting out were present on the DVD.  This event was for State rarities, which is why I was there.  At one point while Michael Showalter was telling a story about their CBS special and how their ABC deal fell though when two girl shouted out “Speed it up!” and “You’re killing us!”  Seriously, don’t be a rude ass hole, I’m pretty sure a good majority of the audience wanted to hear that stuff, I know I did.  Aside from the crowd though it was a great experience, the comedy trio is always funny as far as I’m concerned and apparently we raised over $4000 for New York Cares.  Great job.


Reggie Watts

Posted by Mark On March - 12 - 2009 3 COMMENTS

Every so often you discover a performer that does something original, something you’ve never seen before, but something so incredibly awesome that you wonder why everyone doesn’t do it.  Reggie Watts is basically the role model of the hypothetical outline I just presented.  The first time I saw him was about 1 year ago, I was at a comedy show hosted by Michael Showalter (the reason I was there) with sets by various comedians.  Most of them we’re okay at best, but then Showalter finished his final introduction bit and Watts walked out on stage and blew my fucking mind to smithereens.  With his set plastered into my memory I made it a mission to attend another show of his as soon as possible.

Mission Successful.

I saw Reggie perform last night at The Studio in Webster Hall (East 11th Street NYC).  After 45 minutes of quietly making fun of the brain numbing opening act Watts comes dashing in through the front door (approximately 10 minutes late), walks right passed the same cashier I did to get in, around the corner and up on to the stage and begins his set with no hesitation.  Now for those of you who don’t know who he is, and I’m sure a lot of people don’t, he is a comedian/songwriter/singer.  “Jack of all trades, Master of… all trades.”  His jokes and presentation are very original, his songs are mostly extensions of his stand up and are backed by music created by his mouth, live on stage.  He’s great at beat box and singing, his vocal range is absurd (probably a direct relation with his hair which now extends a solid foot or two off of his head in every direction).  Simply put, the man rules with a “z” (i.e. rulez).

Here’s a video displaying how good he is at structuring actual songs live using nothing but a microphone and a guitar effects processor.

[youtube=http://www.youtube.com/watch?v=ici7sPW8_1I&feature=related]

And this is a classic, listen to the lyrics when he’s rapping.

[youtube=http://www.youtube.com/watch?v=3tIfclIFZes&feature=related]

Check out his website too: http://reggiewatts.com/

"It's much easier of me to make a monster out of you." – Okkervil River (Will Sheff Show)

Posted by Mike On December - 13 - 2008 2 COMMENTS

I saw the show of a life time.

Leaving from Babylon on the train, I was oblivious. I had no idea how the night could go at all. Nothing could have made it mean any less to me. Not the rain, my soaking wet clothes, not the 10 dollars I paid for two fruit roll-ups, two air heads, and a bag of M&Ms. Not the fact that after the show I bought a shirt that was probably two sizes too big, not the even the 2 hours that it took to get back to Penn from Brooklyn, not the fact that we missed the 1:40 train and didn’t get home til 5 in the morn’ could have ruined that night for me.

Wednesday. After not sleeping and watching four hours of Dexter with knowledge of having work at 9:00. I decided around 8:30 I was going go into work. BBB was fine I didn’t do much, a cart or two and left. I left around 3 and waited til 430 for Jess to call to say that she was out front. We headed for Josh’s Job and went to the Diner to get something to eat. I’ve been listening to MewithoutYou lately. Really good band, great lyricism which is kinda been my thing lately. So we discussed what some of the songs meanings. There is this one line which will stick with me cause I just find it so true. “I had a rusty spade but I’m not the fighting sort, if I was Samson I’d have found that harlot’s blade and cut my own hair short!” It’s about him damning himself knowingly and willingly, accepting that he fucked up and he’s taking responsibility for it. Awesome-ass shit.

We left and took the train, to the city. Got there around 630. Took the bustling subway all the way into Brooklyn. Through the streets of rain with barely a idea of how to get there. Finally arriving at a dimly lit building which kinda looked like a run-down movie theater. We arrived a little early then desired. But that was fine with me. We walked up two flights of stairs to the mezzanine. And moved as close as we could to the stage and sat at a circle table. It was a little stage to look at from almost directly over head. I looked around, it seemed so like scene. Almost too perfect. I kept thinking someone is going to know we don’t belong here and get us downstairs. I said to Jess this is so surreal. I couldn’t believe it. I walked to the bar got two sodas and just relax as The first two bands played. The guy from The Wrens Played an Okkervil River song it ends with a fall. It was the best song in his set.

Now Will Sheff came out with his girl friends band before his performance. But during his set I realized one thing and I’m sure he would hate me for saying this but he is a Fucking Rock Star! The best part is its so unintentional like he doesn’t know about it, or tries to act it, he just is. It’s ridiculous. He has such poise, humble yet extremely confident. He plays from his heart like the crowd wasn’t there or even we were his long time friends, he just didn’t have to try to be talented. He was talent and it was like how the sky is blue, a common truth, like fucking destiny. Talent drools out of his mouth and everyone in the room gets a 1up just for being present. It was not to believed I was in shock. Usually when I write I throw Okkervil River on to get the juices flowing. At the show I couldn’t help but become submersed in that familiar trance. I started to think into everything going on around me, and I was thinking things and constantly going “Write that down.” But I couldn’t cause I wanted my full attention directed at the stage. He was funny and honest. For the encore people from the crowd yelled out “Play Westfall,” and he told this story when he was playing a show he was drinking and people kept shouting out songs and he kept messing up on them and forgetting them. And as the night went on and on he got drunker and kept getting worse and worse and he said “Since then I don’t play songs that people shout at me.” He sincerely apologized. Even though he told the story in almost a jokingly way. I felt like it really affected him, that the particular show was so awful and so embarrassing that he just couldn’t put that pressure on himself again. So I felt like he was playing for himself more than anyone in the room. Like he had something to prove to himself and no one else. At one point during the set he strums the G-Chord which is how “Lost Coastlines” starts. And he stopped as soon as he strummed, some girl screamed. So he says with a smirk “Wow, got a big fan of the G-Chord here… Okay calling an audible”, he than played “Happy Hearts” instead. Like he didn’t want it to be anyone else’ show but his own. It was all for him and you had to respect it. The songs that he loves to play are the songs we love to hear.

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He played a lot of good stuff. During “No key, No Plan” he looked right at us and the line goes “You never earned your soul, I know.” Like a confession or an accusation, and he’s eyes were like Jet Black, beady, but extremely intense and I just froze. We were on the left of the stage and he looked up at the center, said the same thing bu I noticed he did not look at the right where is girlfriend and his friends were sitting. So I wonder what it truly was. If anything at all.

The whole time I was waiting for him to play “A Stone”. It’s my favorite song. So I will dedicate a entire post to it eventually. But he did an it was fantastic. He covered a wrens song “Ex-Girlfriend Collection” That was good. He also played “Love to a Monster”. “Yeah, so here I go, just exploding the hope we’ll be speaking some day, years from now, seeking friendship and understanding. Yeah, I hope you get angry, and hurt, and have the hardest of landings. And I hope your new man thinks of me when he sees what a number I did on you.” The sincerity of these lines made me choke up. It was as if we were long time friends and he was confiding in us. The entire show he sang softly only wailing when he put emotion into the words. It sounded beautiful and haunting all at once.

His performance was so good that I am convinced that something completely awful will happen to bring me back to where I was before. This night did something to me that’s permanent. His performance is something I will play in my mind til they put me in my grave. I’ll tell my kids about it like a bed time story. Tell people about it like it was a night of acid and had the best time of my life and people will all say the same fucking thing, “Mike you’re crazy,” and I’ll reply, “I never earned my soul, you know?”

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